Eve Leder has written a new book, Casual Bead Elegance , published by Kalmbach , which doesn't make you choose which stitch to learn...instead, Eve wants you to try them all! And then she wants you to learn how to combine them! Using beads that any beader will most likely have on hand (seed beads, crystals, pearls, a few gemstones, and a couple of shaped beads), Eve leads you through ladder stitch, right-angle weave, cubic RAW, herringbone, square stitch, circular brick stitch, peyote, and then finally combined stitches. You'll find three main projects for each stitch, plus variations. The first project teaches the stitch path and reinforces good habits from the start. The second project allows you to practice the new stitch with a more elaborate result, and the third challenges you to apply the new stitch in even more challenging ways. If you've been wanting to brush up on off-loom beading stitches, work your way from the ones you already know int
I was leafing through a few older books (meaning 2013 in this case...not exactly OLD), looking for a quick and easy piece of jewelry I could make for a friend. I came across a bracelet designed by Nancy Zellers in her book Metallic Seed Bead Splendor (review at the link and link to purchase). It's a super cute bracelet that she calls "Going Baroque with Pearls". I didn't have the right size and shape of pearls, but I found with just a few adjustments, I could use 8mm faceted fire polished beads . With some 8mm accent beads and two different colors of seed beads in size 11/0 and one in size 15/0, I made this bracelet in one afternoon. It's a modified and embellished daisy chain stitch, and I kept my tension tighter than Nancy did so that my bracelet would twist a bit since my friend has a narrow wrist. You could also leave a link or two out...or add more if you need them. This post contains affiliate links: Beadaholique
Have you been hankering to add metal to your work, but haven't been quite ready to invest in a torch? Judy Freyer Thompson's new book, Simple Metalwork Jewelry , published by Kalmbach , may give you just the boost you need to take that next step! Judy teaches you cutting, drilling, filing, etching, texturing, riveting, sawing, and adding patina all while creating wonderful wearable jewelry designs. As you work your way through the earrings, bracelets, necklaces, and rings, you will find your confidence growing in your new basic skills, and maybe next year you'll decide to add a torch after all! But even if not...Judy sets you up for lots of wonderful fun working with metal and cold connections!
I was rather enchanted with Sonia Davis's "Coiled Kumihimo Bangle" which appeared in Beadwork Magazine , the December/January 2017 issue. I don't really enjoy kumihimo though, so I thought about how to change it for my own use. I ended up deciding to use tubular brick stitch around wire instead and accent it with glass pearls . The kumihimo project probably weaves up a lot faster than my version, but I didn't really mind. These are size 11/0 seed beads , so it could have been worse! Since it was really the construction of the bangle, with the three segments that overlapped, that intrigued me rather than the stitches, I definitely owe a debt of gratitude to Sonia for such a cool design! This post contains affiliate links: Beadaholique
The designs you will find in Kelsy Eason's new book, Micro-Macrame Jewelry , published by Kalmbach , are lighter, more open lacy and airy designs overall than you usually find in micro-macrame books. Kelsy has decided that she wants her designs to be appropriate for everyday wearing, not just special occasions, so she has concentrated on easy-to-find materials and easy-to-learn knots. Most of the designs use the slightly larger size 6/0 seed beads, C-Lon or S-Lon cords, waxed linen, or 1mm round leather cording. All of these are readily available online and in beading or craft stores. There is only one piece of specialty equipment needed, and that is a padded bead board. If you don't want to invest in one, Kelsy shows you to make one! The knots used are ones you probably are already familiar with if you've done any macrame in the past, and they are all easily learned if you are a beginner: Lark's head (both horizontal and vertical), square knot, half
Each year, I like to share a list of books with you that I think are really the top picks from all the books published in this past year. I still think that many of the books from prior years' lists are good too, and if you'd like to see them, they are linked at the bottom of this post. Also, I keep running lists of all the books that pertain to specific topics and media , like wirework, bead embroidery, etc, all linked up at the Books tab at the top of every page. And finally, if you are looking for all of the bead and jewelry books published this past year , just scroll down to the bottom of the linked page and you'll find them all listed by month. My Top Pick for Everyone This Year: The Embroidery Book by Christen Brown For Beginners: Learn to Use Two-Hole Beads by Teresa Morse Make It Sparkle by Lindsay Burke Cool Copper Cuffs by Eva Sherman Colorful Wirework Jewelry by Kim St. Jean Hubble Stitch by Melanie de Miguel Discover Torch Enamel
Over the last two weeks, I have showed you how I put together the centerpiece of this bead embroidered necklace (links at the bottom). Finally this week, I want to show you how I made necklace strands that would echo the colors of the center, but not compete with it for attention. 15. On the center of a long piece of beading wire , I added enough seed beads to loop through one of the bails. I used a crimp tube , covered with with a large-holed glass bead , and filled that bead with tiny little seed beads for stability. 16. I strung each strand of wire separately, bringing them together in the middle through a small donut of amethyst . 17. I worked to keep the colors, textures, and sizes of the beads balanced on the strands, larger beads towards the bottom, and smaller towards the top. 18. At the end of one strand, I added chain and a handmade wire hook. 19. At the end of the other strand, I added chain and a wire dangle. 20. And here is the fin